The measurements we use on the shop floor — left chest, full front, back, sleeve, cap — and how to write a placement spec so what arrives is what you pictured.
Almost every reprint we’ve done on a bulk order came down to placement, not print quality. The logo was clean, the colours were right, and the customer opened the box and said “it’s too big” or “it’s sitting too low.” Nobody had written down a number, so we used our house standard, and our house standard wasn’t what they had in their head.
This guide fixes that. Below are the placements we run, the sizes that go with them, and the two or three measurements worth putting on your order so the first sample is the right one.
A placement spec only needs two things: how wide the artwork prints, and how far down it sits from a fixed point on the garment.
Width, not height, is the number to specify. Your logo has a fixed aspect ratio — once we know the width, the height follows. Telling a printer “make it 10 inches” is ambiguous; “10 inches wide” is not.
For the drop measurement, the reference point matters. On a t-shirt we measure down from the centre back of the collar seam, because the shoulder seam moves as size goes up and the hem is a terrible reference. On a polo, we measure from the shoulder seam and across from the placket. On a cap, everything is measured from the seam where the crown meets the brim.
These are the ranges the industry runs on and the ones we default to when an order doesn’t specify. Treat them as a starting point for an adult garment, not a law — there’s a section further down on when to break them.
| Placement | Typical width | Drop from collar seam | Best for |
|---|---|---|---|
| Left chest | 3″–4″ | 7″–9″ from shoulder seam | Staff uniforms, polos, anything client-facing |
| Centre chest | 6″–8″ | 3″–4″ | Team tees, crests, compact lockups |
| Full front | 10″–12″ | 2″–3″ | Event tees, merch, bold graphics |
| Full back | 11″–12″ | 4″–6″ | Company name, sponsor walls, crew identity |
| Upper back / yoke | 8″–11″ | 2″–3″ | Trade name across the shoulders |
| Sleeve | 2″–3.5″ | 3″–4″ below shoulder seam | Secondary marks, sponsor logos, year tags |
| Cap front | 4″–5″ wide, max ~2.25″ tall | Centred, ~0.5″ above the brim seam | Crew caps, team hats, giveaways |
Two notes on that chart. A left chest logo is measured from the shoulder seam rather than the collar because the chest is what the eye reads — and the cap front is capped by the crown panel height, not by taste. Anything taller than about 2.25″ on a structured six-panel runs into the seam or the button, and it never looks intentional.
Full front at 11″ wide is the default for event and merch tees, and it earns that default. Centre chest at 7″ is the quieter option that reads as a brand rather than a souvenir — better for anything staff will wear repeatedly. A left chest logo on a tee is a uniform decision; it makes the garment look like workwear, which is exactly right for a restaurant floor and exactly wrong for a fun run.
The pocket is the constraint nobody plans for. On a pullover hoodie, a front print has to finish above the pouch seam, which leaves roughly 8″–9″ of usable height instead of the 14″ you get on a tee. If your artwork is tall and vertical, put it on the back and run a left chest on the front instead. On a full-zip, a centred front print is impossible — the zipper splits it — so it’s left chest or nothing.
Left chest only, essentially always, at 3″–3.5″ wide. The placket is the reference: the logo sits about 4″ over from the centre of the placket and 7″–8″ down from the shoulder seam. Go wider than 4″ and it crowds the button line on smaller sizes. A left sleeve mark is the usual second placement if you need one.
The front panel is the prime spot, but it’s small and it’s curved. Wide, horizontal lockups work; tall stacked logos don’t. If your logo is a square or a stacked wordmark, the fix is usually a one-line horizontal version made specifically for headwear, not a shrunken version of the main file. Side panels and the back strap take small marks well — roughly 2″ wide.
Left chest for the logo, upper back for the company name, and check the lining before you commit. Insulated and waterproof shells can’t always take a heat press, and quilted panels need the placement to land between stitch lines. This is worth a conversation before the order, not after.
An 11″ front print looks right on a large. On a youth small it’s a billboard, and on a 3XL it looks lost. For any order with a wide size run, we scale to two or three groups — typically youth, S–L, and XL–3XL. Screen printing charges per screen, so extra sizes can carry a setup cost; with DTG and DTF it’s free, and there’s no reason not to. If you’re still working out your size split, our size-run guide covers that side of it.
Embroidered lettering below about 5 mm (0.2″) tall fills in and turns to mush — the needle can only do so much. Printed text can go smaller, but fine lines under about 1 pt break up on textured fabric. If your logo has a tagline or a website URL under the mark, it often has to be dropped or set on its own line for headwear and left chest work.
Side seams, chest pockets, zipper tape and collar seams all interrupt a flat print surface. A press needs a flat platen; anything raised under the artwork prints unevenly or not at all. Tell us if the blank you’ve chosen has a pocket — it changes the placement, sometimes the garment.
A print that is mathematically centred between collar and hem sits too low on the chest, because the hem is below the waist. Optical centre is higher than geometric centre. This is why our drop measurements are taken from the collar and shoulder, and it’s the single most common reason a customer says “it looks off” without being able to say why.
Once the mechanics are settled, the question is what the garment is for.
A placement spec takes about thirty seconds to write and it is the cheapest insurance in this business. Include:
We produce a mockup before anything goes on a press, and the mockup carries the actual geometry — inches below the collar, inches from centre — so you’re approving a measurement, not a picture. If a number looks wrong on the mockup, that is the moment to say so. After the press run, changing placement means reprinting the garments.
Send us the artwork and the garment you have in mind. We’ll come back with a placement recommendation and a quote — usually within the hour during business hours.
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